"There are two ways by which the spirit of a culture may be shriveled. In the first—the Orwellian—culture becomes a prison. In the second—the Huxleyan—culture becomes a burlesque. No one needs to be reminded that our world is now marred by many prison-cultures…. it makes little difference if our wardens are inspired by right- or left-wing ideologies. The gates of the prison are equally impenetrable, surveillance equally rigorous, icon-worship pervasive…. Big Brother does not watch us, by his choice. We watch him, by ours…. When a population becomes distracted by trivia, when cultural life is redefined as a perpetual round of entertainments, when serious public conversation becomes a form of baby-talk, when, in short, a people become an audience, and their public business a vaudeville act, then a nation finds itself at risk; culture-death is a clear possibility."— Professor Neil Postman

Donald Trump no longer needs to launch Trump TV.

He's already the star of his own political reality show.

Americans have a voracious appetite for TV entertainment, and the Trump reality show—guest starring outraged Democrats with a newly awakened conscience for immigrants and the poor, power-hungry Republicans eager to take advantage of their return to power, and a hodgepodge of other special interest groups with dubious motives—feeds that appetite for titillating, soap opera drama.

After all, who needs the insults, narcissism and power plays that are hallmarks of reality shows such as Celebrity Apprentice or Keeping Up with the Kardashians when you can have all that and more delivered up by the likes of Donald Trump and his cohorts?

Yet as John Lennon reminds us, "nothing is real," especially not in the world of politics.

Much like the fabricated universe in Peter Weir's 1998 film The Truman Show, in which a man's life is the basis for an elaborately staged television show aimed at selling products and procuring ratings, the political scene in the United States has devolved over the years into a carefully calibrated exercise in how to manipulate, polarize, propagandize and control a population.

Indeed, Donald Trump may be the smartest move yet by the powers-that-be to keep the citizenry divided and at each other's throats, because as long as we're busy fighting each other, we'll never manage to present a unified front against tyranny in any form.

This is the magic of the reality TV programming that passes for politics today.

It allows us to be distracted, entertained, occasionally a little bit outraged but overall largely uninvolved, content to remain in the viewer's seat.

The more that is beamed at us, the more inclined we are to settle back in our comfy recliners and become passive viewers rather than active participants as unsettling, frightening events unfold.

Reality and fiction merge as everything around us becomes entertainment fodder.

We don't even have to change the channel when the subject matter becomes too monotonous. That's taken care of for us by the programmers (the corporate media).

For instance, before we could get too worked up over government surveillance, the programmers changed the channels on us and switched us over to breaking news about militarized police. Before our outrage could be transformed into action over police misconduct, they changed the channel once again to reports of ISIS beheadings and terrorist shootings. Before we had a chance to challenge what was staged or real, the programming switched to the 2016 presidential election.

"Living is easy with eyes closed," says Lennon, and that's exactly what reality TV that masquerades as American politics programs the citizenry to do: navigate the world with their eyes shut.

As long as we're viewers, we'll never be doers.

Studies suggest that the more reality TV people watch—and I would posit that it's all reality TV—the more difficult it becomes to distinguish between what is real and what is carefully crafted farce.

"We the people" are watching a lot of TV.