On the side of an apartment high-rise block dominantly visible between buildings surrounding Brussels' Gare du Midi railway station, the finishing touches are being made to an extraordinary piece of art. One can just perceive the figure in the cage extended out on the hydraulic arm of the vehicle which provides the platform from which the artist can apply his paints to this vast canvas.

The work depicts, as I grasp it, a shining techno-industrial mobile-phone tower pinnacling out of the summit of a vast concrete temple flanked by two grand curving stairways, at the bottom of which is a platform covered with a great crowd of people. Above the tower wispy chemtrails have formed an X in the sky, while the bottom quarter of the artwork is dominated by a voluminous sea of red dotted with flecks of black.

The symbolism is powerful. The work might be titled 'So here we are'. For yes, this is where we are – if by 'we' one understands the current materialistically imprisoned post industrial world – driven on by the relentless force of globalisation.